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January 4, 2009

The Wrestler

by Franz Patrick


Wrestler, The (2008)
★★★ / ★★★★

I thought this film came out of nowhere because I never heard of it before the awards season. Since many critics gave it enthusiastic recommendations, I thought I’d check it out. I’ve never been that much of a big fan of Darren Aronofsky because his films start out really good but as they go on, they lose that powerful momentum that initially piqued my interest. “Requiem for a Dream” and “Pi” are perfect examples. That said, I think “The Wrestler” is one of his most consistent and touching films. Mickey Rourke is devastating as Randy “The Ram” Robinson and he deserves to be nominated for an Oscar. I’ve never seen him so broken down, trying his hardest not to scream out of frustration even though pretty much everything in his life is going wrong. Throughout the film, we get to understand that he feels more at home in the ring than out in the real world because he is accepted and respected in there. Moreover, he prefers the ring over the real world because physical pain is more bearable than emotional and psychological pain. I admired the way he kept his cool when people are annoying or insulting him; even though he can just as easily result to violence, he refrains and that’s what makes me want to root for him. It was painful for me to watch his interactions with the daughter he neglected (Evan Rachel Wood). There was a scene when they were sitting down and Rourke decides to pour his heart out to his daughter. That was one of the most poignant scenes I’ve seen in any movies that came out of 2008 because it felt so genuine. What I found distracting, though, was Rourke’s relationship with Marisa Tomei. At first it was sweet then it got ugly; ten minutes later it’s sweet again and then it’s the total opposite. It was somewhat effective the first two times but it quickly got repetitive and it was a waste of screen time. I felt like Aronofsky wanted to increase the drama when the picture already has enough. Still, I recommend this film to everyone because it has something to say about faded glory and one’s relationship with people who matter most when one has lost everything.

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