Man on Wire

Man on Wire (2008)
★★★ / ★★★★
This is a beautifully crafted documentary–full of thrills and the use of reenactments are amusing–but I think it’s been getting way too much praise. Yes, it’s important to recognize Philippe Petit’s amazing feat in 1974 but I couldn’t help but get tired of the film’s slow and saggy middle portion. I love the beginning because the soundtrack is rousing and it instantly grabbed my interest. It was like being dropped in a first-rate heist movie. I love the ending because it deals with issues like friendship, what it means to accomplish one’s dreams, and the fact that it didn’t result to discussing the 9/11 attacks. (Although it’s related because of the landmark being featured, it would’ve been unfocused because the core of the film is Petit’s infamous wirewalk between the Twin Towers.) I had my reservations prior to watching this documentary because I thought it would just be about wirewalking from one tower to another. As it turns out, it’s so much more than that. It’s about careful planning with friends and strangers who want to see a person reach his goals, transgressing the law to achieve one’s dreams, and to make art that no one can ever take away. Still, I would’ve loved to see more actual footages of the wirewalk, not to mention what Petit’s life is like before and after the event. Since I didn’t fully know his background, Petit seemed selfish to me especially toward the end when someone came up to him and said she’s willing to go with him “wherever his destination” may be. Granted, this is a documentary and no one is perfect but it would’ve been nice if I knew something else about Petit that is not about the wirewalking. I feel that James Marsh, the director, could’ve taken the film’s title to another level instead of just making it so literal. I wouldn’t say this is one of the best documentaries of 2008 but it is one of the most fascinating.











loved this flick, very well made.
newman