★★ / ★★★★
James Woods stars as a journalist who went to El Salvador to acquire stories about the political turmoil that was unfolding in the country. Despite having a wife and a child in the United States, he made contact with old connections who all thought he was dead such as his girlfriend (Elpidia Carrillo) and a photographer (John Savage). This film was a mixed bag. What I enjoyed most about it was when it finally focused on the civil war at hand which culminated in the last thirty minutes. There was something so poetic with the way Oliver Stone, the director, dropped Woods and Savage in the middle of raining bullets; the soliders held their guns and shot their bullets and the two leads held their cameras and took photos. Another part of the picture that stood out to me was the scene when Savage and Woods decided to take pictures of mountains of dead bodies. The decaying bodies looked so real especially when the camera loomed over the image in a wide angle. The film performed best when it really honed in on the seriousness of war and the innocents that were caught in the crossfire. However, my main problem with this film was its sense of humor that pervaded the first half. James Belushi’s character did not work for me at all because whenever he was on screen, I felt like I was watching a teenage film from the 80’s–like he was that boisterous uncle in a frat party who never found the time to mature. His character was just so out of place that it was kind of painful to watch. I don’t know what Stone was thinking writing this character into the story but I found it a bit disrespectful. Was the character’s purpose to show the obliviousness of Americans regarding the situation in El Salvador? If so, that was not my initial reaction because his character did not show any range or growth. The romantic angle did not work for me either for the same reasons. In the end, I wanted to know more about Woods and why he loved being a journalist. The way he argued his opinions about the war (even though he sounded preachy) against Americans in power convinced me that he wasn’t just doing it for the fame or the money as other synopses suggested. Even though he was flawed, he cared about what was happening in El Salvador. To me, half of this film borderlined greatness because I could feel the passion in the images on screen while the other half was more blasé and somewhat offensive. It is unfortunate that it was just a mediocre experience for such a powerful subject.