★★★ / ★★★★
Four people (R. Brandon Johnson, Heather Magee, Richard Glover, Keith Chambers) decided to rob a bank and were relatively successful except that one of them had been shot. They divided into two groups. A mother (Samantha Dark) and daughter (Courtney Bertolone), on their way home from a softball game, were taken hostage by one of the robbers because he was caught stealing their van. The man took his hostages to a remote house and waited for his three accomplices. Meanwhile, there was a serial killer next door patiently waiting for his next victim. Written and directed by Stevan Mena, “Malevolence” was quite effective in delivering violence and scares. There was nothing particularly original about it but it didn’t need to because I was consistently fascinated with what was happening on screen. It was obviously influenced by John Carpenter’s “Halloween” and Tobe Hooper’s “The Texas Chainsaw Massacre.” When characters were on the foreground, the masked killer would sneakily appear on the background and just… observe. The creepiness was elevated by the film’s score. I liked the way the picture took place at night and, since the abandoned houses were in the middle of nowhere, electricity was rarely used. Darkness hid certain corners, perfectly designed for something to jump out from them and I always expected that something would. There were times when I was actually caught off guard. When fluorescent lights were used, they flickered. Surprisingly, I found it scarier when lights were on because every flicker could potentially reveal something that wasn’t there just a second before. As much as it was violent, I loved that the environment was very detailed: House A had no decoration other than thick dust that invaded the air when there was sudden movement, while House B had all sorts of strange things like blood in a tub, a month’s worth of unwashed dishes, and possible signs of satanic ritual. The scenes outdoors were quite impressive, too. When the daughter attempted to escape from one of the bank robbers, she had to run and scream across a field. There was something quite unsettling with the way it was shot. However, I wish we knew more about the killer prior and during his killing sprees. What made this film’s inspirations so effective was the fact that we knew something disturbing about Michael Myers and Leatherface, something scary beyond the stabbings and chopped up bodies. Furthermore, the acting could have been stronger. Some scenes needed to be reshot, especially toward the beginning, because the lines uttered did not complement the actors’ facial expressions. It was somewhat amusing to watch. However, once it got to the meat of the conflict, when acting became less important, the material held my attention like a vise-grip. Most importantly, the writer-director did not allow his project’s low budget to get in the way of his vision. Instead of succumbing to limitation, he saw inspiration.