Cast Away (2000)
★★★ / ★★★★
Chuck Noland (Tom Hanks) was very dedicated to his job. As a FedEx engineer, time was very important to him. In fact, we met him while delivering a speech to his workers in Russia. Everything had to be carefully planned because he was on high demand. Even his pager was busy during Christmas, a short amount of time that was supposed to be reserved for his girlfriend, Kelly Frears (Helen Hunt), and her family. But when Chuck’s plane plunged into the ocean, he not only learned what it meant to survive sans technology in an undiscovered island, but how it was like to be enslaved by time, the uncontrollable element that he thought he had control over. “Cast Away,” directed by Robert Zemeckis, was a meditative film because the majority of its running time was dedicated to Chuck attempting to adapt to his new environment. His situation was scary, but there was something amusing with the way he sloppily tried to catch fish, broke coconuts by bashing them against a rock, and foolishly made his way toward a light source with nothing but a paddle and a yellow floatie. Admittedly, by watching him struggle, I had a laugh to myself because I knew I probably wouldn’t survive in an uninhabited island even for a week, let alone four years. What made the film’s core fascinating was Hanks’ layered performance. My favorite scene wasn’t Chuck having conversations with Wilson, his volleyball companion, or the moment he successfully made fire. It was when he learned how to obtain water using a leaf. During that shot, the camera was focused on the plant. But Hanks’ expression was priceless. There was utter joy drawn all over his face, not just in his smile, but down to the wrinkles on his forehead and the excitement contained in his body language. It was like watching a child figuring out how a specific tool worked for the first time. The decision to jump four years into the future was risky but necessary. It was necessary because the subsequent scenes provided a stark contrast between how he was like a few days upon his arrival on the island and how he became an effective hunter, someone who used his hands, not solely his commanding voice and busy pager, to survive. It was risky because Hanks had to look different. I loved that the filmmakers didn’t rely on just Hanks’ hair to convince us that there was a significant passing of time. In the beginning, Chuck looked a bit pudgy. His obvious weight loss after the “Four Years Later” message was surprising. Written by William Broyles Jr., “Cast Away” was not just a story of a man who was stuck in an island. It was moving because of the lessons he learned involving how to live a more meaningful life. Jobs, even careers, come and go. Being laid off or getting fired, we learn to get over such things. But the feeling of losing the people we love is an entirely different matter. The pain, though we learn of ways to hide them, is deeper and permanent.