★★ / ★★★★
Miss G (Eva Green) was the diving coach in a British boarding school and idolized by Di (Juno Temple), the team’s leader. Miss G was different from the other more traditional teachers. She wasn’t afraid to talk about sexuality, literatures banned by the school, and the importance of reckless abandon. But when Fiamma (María Valverde), a girl from Spain who was accustomed to a lavish lifestyle, enrolled in the school, Miss G had a new favorite student. Based on a novel by Sheila Kohler, “Cracks” heavily relied on mood and beautiful imagery to keep the rather thin storyline afloat. We saw the girls in poetic lens while running all over campus, diving in the nude at midnight, and hanging out in their dormitories. Jordan Scott, the director, insisted on delivering the best aesthetics, sometimes punctuated in slow motion, to contrast the ugliness of jealousy that Di and her friends felt toward the new girl. While I appreciated the director’s technique, I felt as though the material could have been much darker. Di was obviously sexually attracted to Miss G. Unfortunately, the picture held back from digging into the passion between the student and teacher and I was left wondering why. I almost would have enjoyed it more if it had straddled the line between tasteful sensuality and unabashed exploitation. The camera spent too much time contemplating on how Di must have felt when a more exciting girl was introduced into the school and how Fiamma must have felt when her classmates wanted to send her back to her country. However, I found myself more interested in Miss G: her volatile personality and state of mind. I wanted to see more of Miss G’s struggles to keep her dark secrets strictly private. We saw her break down in the halls, a relatively public space, but what did she do while she was in her room, when she believed she was alone? Green did the best with what she was given. I enjoyed the scenes when she delivered inspiring messages to her students as they perfected their diving skills. She used a lot of words, undoubtedly delicious to the ears, but ultimately signifying nothing. But the most disappointing unexplored detail of all was Miss G’s history with the school when she was a young girl. Did she fit in like Di or was she an outcast like Fiamma? Throughout the picture, she was torn between the two girls. If we were more knowledgeable about her history, specific details could have been more resonant. Instead, some of her decisions felt frustratingly one-dimensional. “Cracks” remained tasteful when it shouldn’t have been. I desired to see the monster that lived in all the girls, the kind of monsters seen only in the dark. Instead, the film somewhat worked better as a pretty picture of the fragility of friendships.