Lorax, The (2012)
★★ / ★★★★
Mr. O’Hare (voiced by Rob Riggle), the richest businessman in town who sold fresh oxygen in bottles, believed that Thneedville was perfect just the was it was: no trees, no animals, no mess to clean up. In their giant dome, to everyone’s convenience, everything was made out of plastic. When Audrey (Taylor Swift) confessed to Ted (Zac Efron), who happened to have a crush on her, that what she wanted for her birthday was a real tree, Ted courageously explored outside of Thneedville to look for one. Among the barren and ominous land was a house inhabited by a reclusive man called The Once-ler (Ed Helms), the person responsible as to why trees became extremely rare. Based on the book by Dr. Seuss and directed by Chris Renaud, “The Lorax,” despite its sometimes dazzling use of visuals, was at best a mixed bag of humor, adventure, and lessons about why we should care for the environment. The story was somewhat divided into two. The first involved Ted’s quest to acquire a tree and the second involved The Once-ler’s past as an ambitious and inventive young man. In the latter, we got to meet The Lorax, the guardian of the forest who spoke for the trees, which was the more interesting section of the film. While the screenplay spent more time with the youthful Once-ler, many of the scenes were plagued with distracting song and dance–only one or two of which were catchy and creative. The rest were not only jarring to the eardrums but they disrupted the story’s chance of gathering real momentum and drama, a sense of immediacy required to deliver a truly meaningful message about our active as well as inactive roles, such as feelings of apathy, in destroying our natural resources. I thought the bears were adorable, particularly the one that carried more weight than the others and so he was forced to lag behind whenever a physical activity was demanded, and The Lorax was a cuddly creature despite his occasional grumpiness. However, mostly relying on cuteness to propel the story forward with fluidity wasn’t enough to sustain the film especially considering its level of ambition. Furthermore, I did not appreciate that The Once-ler’s family was portrayed in such a one-dimensional way. I was able to accept that they were not very supportive of The Once-ler’s dreams of becoming a successful businessman. But there was something about them being portrayed as, pardon my language, rednecks that didn’t feel right. They were shown as greedy, users, and uncaring people. Not one exception who happened to fit all the stereotypes was presented. Since the work was aimed toward young children, I felt that the filmmakers, especially Ken Daurio and Cinco Paul who were in charge of the screenplay, had a responsibility to avoid cultural stereotypes. If the family had been Chinese, Indian or Filipino and their characterizations simply relied on ugly stereotypes, one could argue that the material was being racist. I may come off as a Grinch but despite the best intentions and morals that “The Lorax” wanted to impart about our vital connection to nature, its hits were inconsistent, its pacing too uneven, and its clichés potentially damaging to warrant a recommendation. Its theme in terms of empathy needed to be ironed out.
How the Grinch Stole Christmas (2000)
★★ / ★★★★
The Grinch (Jim Carrey) was born in Whoville, a place where everyone loved Christmas, but he ran away to live at Mt. Crumpet because he was bullied as a child for looking different. He grew up to hate Christmas and was absolutely willing to do anything to ruin Whoville’s good cheer. When a little girl (Taylor Momsen), doubtful of what Christmas was supposed to be about, suggested that the residents gave Grinch a chance to be a part of them, it just might be the perfect opportunity for him to ruin Christmas once and for all. Based on Dr. Seuss’ book and directed by Ron Howard, “How the Grinch Stole Christmas” was harmless, silly, and colorful which almost made it a perfect movie to watch around Christmastime. I just wished its heart was the priority instead of the comedy. Admittedly, despite the many slapstick scenes that made no sense whatsoever yet without a doubt would appeal to younger children, I did laugh at Carrey’s manic energy and deranged facial expressions. I smiled at the small chaos he created like giving little girls a saw and encouraged them to run around with it. I especially loved it when the filmmakers were brave enough to allow the mean, green Grinch to look into camera and comment on things like kids being desensitized by movies and television nowadays and the dangers of stress-eating. The latter was especially hilarious because most of us are guilty of it during the holidays. The Grinch mentioned the innate commercialism of the holiday as well. Some may perceive it as distracting but since he was a cynic, I thought it was appropriate for his character. While it was amusing because of Carrey essentially carrying the picture, I yearned for more moving moments. A bit of silence would have gone a long way. Naturally, the Grinch was a lonely creature. Although the material provided background information about why he decided to live by himself, it felt too superficial. I kept waiting for the film to explore the Grinch’s feelings of abandonment at the gut level. Furthermore, didn’t his parents look for him after he ran off into the snowy mountains? How did he meet his adorable dog? There were some unanswered questions that should have been answered or at least acknowledged. After all, without really understanding the misunderstood creature, how could we buy into his eventual change of heart? We wouldn’t just love him because he decided to return the toys he stole in the first place. “How the Grinch Stole Christmas” didn’t quite steal my heart but it managed to entertain. Hats off to Carrey for shining through the green costume and make-up.